Marketing Collateral   
 Campbell's Soup Box  Andy Warhol’s career was never the same after the debut of his groundbreaking Campbell’s Soup Cans in 1961. For this 32-screenprint work, Warhol reproduced 32 classic Campbell’s cans with near mechanical accuracy, creating a ser
 Perrier  Never a stranger to advertising illustration, Andy Warhol created marketing material for dozens of companies, always in his own signature style. This original poster for Perrier shows a trio of the classic bottles rendered with Warhol’s unm
 Rain Dance  Created for Rain Dance, a benefit for the African Emergency Relief Fund, this original poster brings together five Pop Art masters in a single design. A collaboration between Jean-Michel Basquiat, Roy Lichtenstein, Keith Haring, Yoko Ono
Brillo-Box-foam-ottomans-by-Fab.com-and-The-Andy-Warhol-Foundation-Photo-by-Nick-Hughes-for-Yellowtrace-02.jpg
     
 Marketing Collateral   
 Nude Male Model  An erotic exercise in exposure and composition, Andy Warhol’s Nude Male Model replaces the pretense of the classical nude with an intimate immediacy provided by the casual setting and pose.
 Helmut Berger  Helmut Berger, the star of director Luchino Visconti’s most lavish films, was often called the world’s most beautiful man. In this casual snapshot, Andy Warhol captures Berger during a session that likely produced Warhol’s well-known
 Marketing Collateral   
 Hand and Flowers  Hand and Flowers provides an example of one of Warhol’s common motifs—flowers. Slightly uneven, with a balance of blotches and voids, Warhol’s trademark lilting line lends his prints a lightness and frivolity that was coolly calcul
 To Shoe or Not to Shoe  To Shoe or Not to Shoe can be located squarely in Warhol’s early comfort zone of the time—having created a successful illustrated campaign for J. Miller & Sons in the mid-1950s—and hints at the wry humor that infused his
 Fish  Fish includes the hallmarks of Warhol’s fully matured screen-printing style—from the subject matter, infused with death, to the serial nature of the original photo image, the telltale blotted line overprinting, and expert composition.
 The Red Dress  Warhol’s Red Dress Polaroids are a study in texture and form. These complicated images blend red and blue hues of a gown, each line obscuring the next and creating an effect that recalls the dizzying overprinting technique Warhol empl
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